Download PDF Sand Jewels (The Wishes Series)By G J Walker-Smith

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Sand Jewels (The Wishes Series)By G J Walker-Smith

Sand Jewels (The Wishes Series)By G J Walker-Smith


Sand Jewels (The Wishes Series)By G J Walker-Smith


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Sand Jewels (The Wishes Series)By G J Walker-Smith

Sand Jewels is book 2.5 of The Wishes Series. Gabrielle Décarie was over arrogant men – but that didn’t mean she couldn’t have a little fun with one. When she took a chance on Alex Blake, it was supposed to be a one-night deal. He was too cocky, too flirty and too complicated. Sand Jewels is the story of why she fell madly in love with him anyway.

  • Sales Rank: #1385753 in Books
  • Published on: 2014-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .32" w x 5.00" l, .26 pounds
  • Binding: Paperback
  • 138 pages

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Why Software Sucks...and What You Can Do About It 1st edition

  • Published on: 1709
  • Binding: Paperback

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Free Ebook Still Grazing: The Musical Journey of Hugh MasekelaBy Hugh Masikela

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Still Grazing: The Musical Journey of Hugh MasekelaBy Hugh Masikela

Hugh Masekela is a prodigiously talented giant of jazz and world music, and a pioneer in sharing the voice and spirit of South Africa with the rest of the world, but his globetrotting tale transcends music. First published in the USA in 2004, this autobiography shares with rich detail Masekela’s life, infused with love and loss, sex and drugs, exile and revolution. He survived it all, with wit, passion, abundant talent and wisdom, and is now bringing his story back home! A new foreword and afterword to his autobiography will add fresh insights into the life of one of today’s few living world-class artists and rare spirits. Still Grazing narrates a magical journey around the world in this epic, music-soaked tale of love, excess, exile and home. Masekela’s life began in a South Africa haunted by violence, but redeemed by the consolations of family, music and adventure. As the grip of apartheid tightened, he was driven into exile and embarked on what would become a thirty-year pilgrimage around the world. His first stop was New York City, where he was adopted by legends such as Dizzy Gillespie, Miles Davis and Harry Belafonte. Masekela lived through some of the most vital and colourful music scenes of our time: blowing with bebop greats in New York, playing with a young Bob Marley in Jamaica, hanging out with Jimi Hendrix and Sly Stone in the sixties, and getting lost in the madness of Fela’s Afropop explosion in Lagos. He loved extravagantly, including marrying Miriam Makeba, experimented wildly with drugs and alcohol, and stumbled into adventure after adventure. And through the hit musical Sarafina (which he conceived with Mbongeni Ngema), the Graceland tour he spearheaded with Paul Simon, and his fearless on-the ground activism, he worked tirelessly to add his voice to the antiapartheid movement. When he eventually returned to South Africa, he at last found the strength to confront the personal demons that had tracked him around the world, and attained a new measure of peace at home.

  • Sales Rank: #3049528 in eBooks
  • Published on: 2015-11-01
  • Released on: 2015-11-01
  • Format: Kindle eBook

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Download PDF Jambalaya: The Natural Woman's Book of Personal Charms and Practical RitualsBy Luisah Teish

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Jambalaya: The Natural Woman's Book of Personal Charms and Practical RitualsBy Luisah Teish


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Jambalaya: The Natural Woman's Book of Personal Charms and Practical RitualsBy Luisah Teish

A Marvelous Blend
of Memoir, Folk Wisdom,
and Afro-American Beliefs.

Actress, storyteller, and priestess Luisah Teish dramatically re-creates centuries-old African-American traditions with music, memoir, and folk wisdom.

  • Sales Rank: #1509988 in Books
  • Published on: 1985-11
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 268 pages

Review
""Jambalaya is a gift, open to all people, a gift of an ancient tradition, a gift of stories and celebrations, a gift of Teish's own history and voice, the voice of a strong, knowledgeable, and wise black woman." -- Starhawk, author of "Truth or Dare""A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written." -- Alice Walker, author of "The Color Purple""Teish reveals a wealth of new visions and ancient wisdom from a cultural heritage unknown to most readers. To a style of writing that is friendly and relaxed, Teish adds the spice of her wonderful sense of humor. This is a book that sharpens the intuitive sense in each of us and encourages us to that inner knowlcdge." -- Merlin Stone, author of "When God Was a Woman"

About the Author

Born and raised in New Orleans, Luisah Telsh is a priestess of Oshun in the Yoruba Lucumi tradition. She teaches classes on African goddesses, shamanism, and the Tambala tradition.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

Growing Up Tipsy

Somehow I knew that there was much more going on than was apparent on the surface. My existence and that of the things going on around me caused me to question everything, always looking for the deeper meanings.

I was born in the city of the Voudoun--New Orleans, Louisiana. My paternal grandmother's shotgun house stands at 1018 St. Ann Street. The Maison Blanche, the former home of Mam'-zelle Marie La Veau, the voudou priestess for three generations, is recorded as being 1022 St. Ann Street. To this day my grandmother's house carries a sign that reads, "The Marie La Veau Apartments."

New Orleans-like the San Francisco Bay Area, where I now live-is a psychic seaport. The psychic energies of many people living and dead hovers over the city of New Orleans, possibly because of the water. Visitors to the city become "tipsy" after being there only a short time. "Tipsy" is the name given to that state of mind that precedes possession. (It is also used to mean slightly drunk.) I grew up tipsy.

I spent many days and nights in the dark, mysterious house of my grandmother, Maw-Maw Catherine Mason Allen, while my mother and father were at work.

Due to the limited perceptions of a child and the nature of memory, I can only describe it vaguely. I remember a big, toosoft, and bulky double bed in the middle room. This is the place where my cousin Frank Jr., took refuge from the whippings he seems always to have earned. He used to hide under this bed to smoke cigarettes; but for me smoke and Frank were not the only things hiding under that bed.

Perhaps I had eaten too many pickles that night and overindulged in the delicious teacakes and sweet potato turnovers my Maw-Maw used to bake in the woodstove. Whatever the external cause, when I laid my head on the duck-down pillow covered with an immaculate muslin pillowcase, I just couldn't sleep. Everything was so still and quiet that I could not tell whether the numerous and barely distinguishable adult relatives of mine were asleep in the front room or out for a night of church. I could have been there alone without concern because everybody on the block was somehow kin to me and would have come running at the slightest disturbance.

But tonight as Wind slipped slowly through the cracks in the wooden fence that enclosed the backyard, no one seemed to be afoot. At least, no one human. I could hear only the wind and the irregular tapping of Maw-Maw's white dog, who was born with only three legs. I was always afraid of that dog and kept a safe distance between us, not because he was in any ways vicious but because his eyes were always red and I had been told that he knew when somebody was going to die.

I lay there listening to his tapdance against the wind and stared at the ceiling thoughtlessly. After a period of time that I cannot judge, a feeling of apprehension began to creep over me. Somebody or something was moving snakelike and slowly under the bed.

Was it Frank? Had he crawled under it to avoid a whipping and fallen asleep? Had Maw-Maw's creepy dog gotten under the house and situated himself directly beneath the bed? When I asked myself these questions, Wind told me, "No, Cher." As my fear mounted, I became aware of a sensation of lifting subtly. My back seemed not to touch the buttons of the mattress. I kept rising and rising until I seemed to be five feet above the bed. I remember thinking that if I kept rising like this I was going to bump into the ceiling and smash my already flat nose. "I wanna go down," I said nervously inside my head, and at that moment my face seemed to sink through the back of my head so that my chest and feet were still facing the ceiling but my face was looking down at the bed. And what a sight it saw!

There under the bed was an undulating, sinewy, mass of matter as brown as the waters of the muddy Mississippi River. It was squeezing out from under the bed on all sides like a toothpaste tube with pin holes in it. The brown was taking forms, humanoid but undistinguishable by gender. They were getting higher, showing heads with eyes, bellies, legs, outstretched arms, and I was getting closer to the bed. My face, now only a few inches from the sheet returned to the other side of my head, and as my body descended I looked at these brown humanoids towering over me. I seemed to shake uncontrollably, my muscles moved about as if I had no bones. I opened my mouth, screamed but the sound was made only inside my head. The brown-folk seemed to take a deep breath as my body settled on the mattress. They touched me and their matter slipped into my muscles and ran through my veins. The floodgates opened and as a warm astringent liquid sank into the mattress, I sank into sleep.

I remember telling my mother about this dream. She laughed, stroked my head and asked me if I recognized any of the people who had come from under the bed. I told her, "No, Ma'am," and the matter was forgotten.

This happened when I was about five years old. Twenty-three years later I got a piece of an explanation of its meaning. A Puerto Rican woman water-gazed for me, and-without knowing my story--told me to make two dolls for my unknown ancestors and keep them under my bed.

Across the street from Maw-Maw's house was a classic French Quarter home complete with veranda and cast-iron lattice work. I used to sit on the steps of my grandmother's house and stare at the balcony. There was a little girl, brown-skinned . . .

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